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本文通过比较罗伯-格里耶《在迷宫》和加缪《局外人》两部小说,说明罗氏和加缪在表现荒诞和反抗荒诞方面的一致性以及前者对后者的继承和超越。以反传统的叙事手法和语言艺术形式揭示并反抗荒诞是两者小说最为重要的相似之处,而且这种倾向也始终贯穿在法国现代和后现代作家的创作之中。
This article illustrates the consistency between Roche and Camus in the performance of absurdity and absurdity, and the inheritance and surpassing of the latter by comparing the two novels of Robbie-Grillet in The Labyrinth and Camus “The Outsider”. It is the most important similarities between the two novels to reveal and resist absurdity in the form of anti-traditional narrative techniques and language arts, and this tendency has always been permeated with the creation of French modern and post-modern writers.