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有一个有趣的现象:几乎每一篇评论余华的论文,无论褒贬,都会征引余华自己的论述,尤其是他写于1989年的《虚伪的作品》,引用率之高,依笔者陋见,中国当代作家中,似无出其右者。这意味着,余华已经用他的一批学术随笔以及连同小说一起发表的自序、后记等,构建起了他自己的小说美学。这在中国当代作家中,是少有的,对于中国当代文学史意义重大。正如张清华所说,这或许意味着“读
There is an interesting phenomenon: almost every essay written by Yu Hua, whether praised or disparaged, will draw Yu Hua’s own account. In particular, he wrote the ”hypocritical work“ in 1989 with a high citation rate. According to the author’s humble opinion, China Contemporary writers, like no one right or wrong. This means that Yu Hua has built up his own novel aesthetics with a number of his academic essays and the prefaces and postscripts published along with the novel. This is rare among Chinese contemporary writers and is of great significance to the history of contemporary Chinese literature. As Zhang Qinghua said, this may mean ”read."