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在1928年创造社转变方向前后,郑伯奇创作了多部反帝爱国剧作,这些戏剧作品因其所表现的革命情绪而受到研究者的瞩目。留学日本时期屈辱的感性经验和撰写驻日特约通讯的清醒、理性的分析是郑伯奇反帝思想形成的关键。大革命时期在广州参加实际革命工作的经历,使郑伯奇意识到演剧和革命的重大关系。因此,郑伯奇不仅从理论上提倡反帝戏剧,而且率先创作出多部表现民众反帝激情的话剧。
Before and after creating the direction of social change in 1928, Zheng Boqi created a number of anti-imperialist and patriotic plays, which received the attention of researchers due to the revolutionary emotions they showed. The perceptual experience of studying humiliation in Japan and the sober and rational analysis of writing a special correspondence stationed in Japan are the keys to the formation of Zheng Biaoqi’s anti-imperialist ideology. The experience of participating in the actual revolutionary work in Guangzhou during the Great Revolution made Zheng Bochi aware of the great relationship between drama and revolution. Therefore, Zheng Boqi not only advocated anti-imperialism drama theory, but also took the lead in creating a number of performance of the public anti-imperialist passion drama.