本文以鹤为中心,先介绍了鹤在中国古代的独特地位,再通过对初唐时期画家薛稷以鹤为题材的绘画成就以及后世诗人对薛稷绘画的评价进行了详细分析,展现了被赋予神话色彩的鹤文化对中国的绘画、诗词等方方面面的影响。 In this paper, Crane as the center, first introduced Crane in ancient China’s unique position, and then through the early Tang Dynasty painter Xue Ji to He as the theme of the painting achievements and poets later Xue Ji’s painting evaluation were analyzed in detail, showing the Crane mythology gives Chinese painting, poetry and other aspects of the impact.