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艺术来源于生活,时尚是时代的记忆。巴黎时尚与消费文化的发展带动了印象派视点的转换,逾越了高雅艺术与日常消费品的界限,印象派画作的观众也遍布开来,“城市闲逛者”“有教养的食利者”和“奢侈品高雅消费者”他们都会接收到印象派画家们对巴黎消费文化的含蓄描绘,也正是这些不同视点让我们区分了中产阶级女性与男性,劳动妇女与男子,混杂的群众或公众眼光的差异。一般人的视角下看到的是时尚里的繁华,德加却在时尚繁华的背后,看见了繁华过去后孤寂与荒凉的时代浪潮,因此他的作品也更深沉、更具哲学性。
Art comes from life, fashion is the memory of the times. The development of Parisian fashion and consumer culture has driven the conversion of the impressionist point of view, surpassing the boundaries between elegant art and daily consumer goods, and the audiences of Impressionist paintings spread all over the place. “City Silencers ” Educated Reverend “ And ”luxury and elegant consumers," they all receive the implicit portrayals of Parisian consumer culture by Impressionists and it is these different perspectives that allow us to distinguish between middle class women and men, working women and men, mixed masses or Differences in the public eye. Most people see the perspective of the bustling fashion, Degas is behind the bustle of fashion, saw the thriving lonely and desolate wave of the past, so his works are more profound and more philosophical.