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早晨的一线阳光照亮了一片废土,似乎也为散布在这块干涸盐碱湖底的枯木残枝带来了生命的呼唤,要在这里表现大自然劫后残骸散布的遗弃和萧条,同时又要考虑画面的整体性,就需要考虑构图。文中所提到的好几种原则都运用在这里:(1)灰白的湖底,沙丘上明暗的色块和树根与枯树形成了形状各异的图形。(2)树根与枯树暗示出的斜线和阳光照亮的沙丘交叉贯穿在画面上。(3)一条枯枝从湖底穿越了阳光所勾出不同层次的明暗区域。(4)散布在倒下树干两侧的一排枯树填补了左右的空缺,也带来了平衡。
The bright sunshine in the morning illuminates a piece of wasteland, and it seems that it has also brought life calls to the dead wood scattered on the bottom of this dry saline-alkali lake. Here it is necessary to show the abandonment and depression of wreckage after the natural disaster, To consider the overall picture, you need to consider the composition. Several of the principles mentioned in this article are used here: (1) The gray lake bottom, dark and light patches of sand and dunes and dead trees create various shapes of graphics. (2) Tree roots and dead trees indicate the diagonal line and the sand dunes illuminated by sunlight cross through the screen. (3) A dead branch from the bottom of the lake through the different levels of exposure to light and dark areas of the sun. (4) A row of dry trees scattered on either side of the fallen tree trunk fills the vacancy and balances.