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阿尔都塞之所谓“传播媒介意识形态国家机器”像一个幕后黑手操控着所谓“真实”。而有很多学者认为“传统电影尤其是好莱坞影片,常常有意掩饰其意识形态作用,这些躲藏在电影形象背后的主观因素,相当于拉康镜像阶段中的‘不在者’或‘不在的系统’,后者才是产生影片意义的真正来源。”彼得偏偏在一部好莱坞影片中,向好莱坞的通常做法提出质问。片中的克里斯托福这一反面人物,仿佛幕后黑手的肉体化身,代表了“认为只要目的正当就可以不择手段”的群体。
Althusser’s so-called “national machine of the ideology of the media” manipulates the so-called “real” like a behind-the-scenes black hand. Many scholars think that “traditional films, especially Hollywood films, often deliberately conceal their ideological role. The subjective factors behind the image of the film are the same as those who are not or not at the stage of Lacan’s mirroring. , The latter is the real source of the meaning of the film. ”“ Peter just in a Hollywood movie, to Hollywood’s usual practice to raise questions. The negative person in the film, Christopher, seems to be a body incarnation of the unscrupulous man behind the scenes and represents a group that ”can think of anything as long as his purpose is legitimate."