我国新诗登上诗坛已达百年。新诗提倡白话写作,背弃旧体诗,并求新声于异邦,其诞生之初,颇受非议。但终站稳脚跟,百年间成绩斐然。迄今新诗与旧体诗虽双水分流,但新诗具有蓬勃生命力,并成为诗坛创作的主流,已无人能够否认。百年新诗发展大略可分三个时期:“五四”至新中国成立前为前期。新文化运动肇始,自胡适的《尝试集》问世,到郭沫若 Our country’s new poetry boarded the poetry circle has reached a hundred years. The new poem advocates vernacular writing, abandoning old-style poetry and seeking new voices in foreign countries. However, the final firm footing, a hundred years impressive. So far, the new poetry and the old style poetry are dual-stream, but the new poetry has the vitality and has become the mainstream of poetic creation. No one can deny it. The development of new century poems can be roughly divided into three periods: “May Fourth Movement” until the founding of new China. The beginning of the new cultural movement, since Hu Shi’s “Attempt Set” appeared, to Guo Moruo