引笔者借新“清华大学国学研究院”①之地,以一则“新见”并被“疏记”了的赵元任(1892—1982)创作歌曲《奶妈的婆婆之悲歌》(以下简称《悲歌》见谱例1)为切入点,对该歌时代背景、流布过程、产生的影响、创作手法,进行了音乐学分析。作者旨在对赵元任被遗漏、疏记的史料,做进一步补充研究;并对赵元任中国传统音乐、音韵学手法的应用及中西共融 The author borrowed the new “Tsinghua University Institute of Chinese Studies” ① to a “new see” and was “” “Zhao” Ren Zhao Yuan Ren (1892-1982) to create the song “Nanny’s mother’s sad song ”(Hereinafter referred to as the“ sad song ”see Case 1) as a starting point, the background of the era of the song, the distribution process, the impact of the creation of techniques, a musicological analysis. The author aims to further supplement the research on Zhao Yuanren’s omission and misunderstanding of the historical materials; and on Zhao Yuanren’s application of traditional Chinese music and phonology,