国画讲究“计白当黑”之法,取景构图崇尚以虚带实。画家描绘景物时从不把画纸涂抹得满满当当,而是细心斟酌“留白”,让观者从空白处去体会天空、白云、流水,以及画家抽象无形的思想感情。如八大山人朱耷画鱼,只在一张白纸的中心勾画数笔,独独写出一条生动活泼的鱼来,可欣赏者看起来却觉得是满纸江湖,烟波无尽。原来在高明的画家笔下这空白 The Chinese painting pays attention to the method of “counting white as black”, and the composition of landscape painting advocates virtual reality. When the painter paints the scenery, he never paints the paper full, but carefully considers the “white space”, allowing the viewer to experience the sky, clouds, flowing water, and the abstract intangible thoughts and feelings of the painter. If Zhu Dashan, a member of Badashanren, draws fish, he draws only a few pens in the center of a blank sheet of paper. He alone writes a lively fish, but the viewers seem to think that they are full of paper and rivers and endless waves. It turned out to be blank under the brush of a brilliant artist