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当代大量中国画作品之所以不惜疏离和牺牲中国画的本体特质,削弱中国画精神的文化内涵,千方百计地加强制作性和形式感,以迎合视觉化取向的需求,与其说是出自于画家们艺术追求上的自觉选择,还不如说是屈从于当代社会展览机制和艺术市场的竞争压力。从某种意义上说,是视觉效果的大小决定作品成败的严峻现实,才使得画家们不得不如此。
The reason why a large number of contemporary Chinese painting works alienates and sacrifices the ontological qualities of Chinese painting and weakens the cultural connotation of the Chinese painting spirit by doing everything possible to enhance the sense of making and formality to cater to the needs of visual orientation rather than to the painter’s pursuit of art Consciously choosing is not as competitive as submitting to the competitive pressures of contemporary social exhibitions and art markets. In a sense, it is the stern reality that the size of the visual effect determines the success of the work, which makes the painters have to do so.