有同学提出,《失街亭》中,罗贯中描写了马谡的三次“笑”、诸葛亮的三次“哭”,这样反复地描写哭笑神情,其作用究竟怎样理解? 哭或笑,是一种神情描写,是表现人物的重要手段。马谡的三笑,活脱脱地表现他“言过其实”的性格特点。第一笑,是在马谡察看街亭的地形之后。一向以“自幼熟读兵书,颇知兵法”自诩的马谡,非但不铭记诸葛亮的谆谆嘱咐,审时度势,敏锐地看到街亭的重要,反而嘲笑诸葛亮的多心。在这笑声中,形象地表现了马谡的目无统帅、麻痹轻 Some students suggested that Luo Guanzhong described the three “laughs” of Ma Wei and the “cry” of Zhuge Liang three times in Lost Street Pavilion. This repeatedly described the expression of crying and laughter. How does this effect be understood? Crying or laughing is a look Description is an important means of presenting people. Ma Yong’s three laughs, lived off to show his “exaggerated” personality traits. The first laugh was after the horse took a look at the terrain of the kiosk. The horses who have always been self-proclaimed by “accurately reading military books and knowing the art of war” not only do not remember Zhuge Liang’s embarrassment, judge the situation, but keenly see the importance of the pavilions, and instead laugh at Zhuge Liang’s heart. In this laughter, it vividly shows the horse’s head is not commanding, paralyzed light