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《等待戈多》是20世纪荒诞派戏剧的经典之作。本文意在通过对这部作品的重新解读,探讨在一个尼采所宣言的“上帝死了”的时代,这部作品在揭示人类在一个荒谬的宇宙中的尴尬处境方面所体现出的价值和意义。
Waiting for Godot is a classic of 20th-century absurd theater. This essay aims to explore the value and meaning of Manifesto in revealing the awkward position of mankind in an absurd universe through the reinterpretation of this work in a Nietzsche proclaimed “God died” era .