汤姆·斯托帕德在其剧作《印度深蓝》中采用了独特的戏剧形式。本文通过探讨剧中带注释的信件、时间处理手法及重构历史等三种艺术形式,分析这些戏剧形式如何服务于该剧对历史的追寻,并说明形成这些艺术形式的一个重要原因是剧作家对历史不确定性的感受及其对再现历史所持的怀疑态度。 Tom Stoppad used a unique form of drama in his play “Deep Blue India.” This article analyzes three main forms of art, such as annotated letters in the play, time manipulation and reconstruction of history, and analyzes how these dramatic forms serve the drama’s pursuit of history. It also shows that one of the important reasons for the formation of these art forms is that dramatists Feeling of Historical Uncertainty and Skepticism about Reproducing History.