“气韵”是我国古代美学中极为核心的审美范畴,千百年来一直被奉为中国绘画与书法理论与创作的圭臬。中国书法艺术的发展,离不开历代书法家对气韵的独到见解和不懈追求。从这一意义上讲,中国书法艺术的发展史即是气与韵的对立共生与此消彼长的变化史。晚清帖学式微,碑学兴盛。碑学领袖康有为在书法气韵方面的孜孜探索,为古老的“气韵”理论注入了新的时代 “Virtue ” is the very core category of aesthetics in ancient Chinese aesthetics. It has been regarded as the standard of Chinese painting and calligraphy theory and creation for thousands of years. The development of Chinese calligraphy art is inseparable from the ancient calligrapher’s unique insights and relentless pursuit of style. In this sense, the history of the development of Chinese calligraphy art is the history of the changes in the opposite symbiosis between Qi and Yun. Late Qing Dynasty post-style micro-, prosperous study. Inspired by the leader of the study, Kang You-wei explored the charm of calligraphy and infused a new era into the old theory of “charm”