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在苏联电影史中,某些电影批评家有一个时期曾以为私生活题材是讨压的、不重要的、或者简直是微不足道的(这种错误见解存在并不久,但却很不好,它的痕迹还隐藏在大家都知道的所谓‘无冲突论’的‘哲学’理论中)。人是艺术所反映的当然的对象,而且按照车尔尼雪夫斯基的见解,还是最重要的对象。但是,在垂死的形式主义流派的狡猾人物和极力主张电影要像禁欲主义者那样严肃的人们影响下,许多电影艺术作品却
In the history of the Soviet cinema, some film critics had for some time thought that the theme of private life was stressful, insignificant, or insignificant (this erroneous opinion does not exist for a long time, but it is not good enough. Its traces It is also hidden in what is known as ’philosophical’ theory of ’non-conflict theory’. Human beings are, of course, the object of art, and, according to Chernyshevsky’s opinion, are the most important objects. However, under the cunning of the moribund formalist gentry and by those who strongly advocate film as serious as asceticism, many cinematic works of art