韵作为中国美学的一个重要范畴 ,在南朝时期业已出现 ,但其真正成熟则是在宋代的绘画美学发展中。韵的内涵经过了一个嬗变的历程 ,是由客观写实到主观写意的转换。韵的一个重要内涵就是有象外之意。这一点又是与诗学中的“境”互相契合的。韵又更多地表现为主体心意的高扬 ,在这方面深受禅学的影响。“平远”的构图范式 ,是韵得以产生的重要条件。水墨画法也是韵的生成基础。由此而形成的平淡风格 ,也是与韵有着不解之缘的 As an important category of Chinese aesthetics, rhyme has appeared in the Southern Dynasties, but its true maturity is in the development of the aesthetics of painting in the Song Dynasty. The connotation of rhyme has undergone a process of transmutation, which is the conversion from objective reality to subjective meaning. An important connotation of rhyme is that there is something like an outsider. Again, this is in line with the “environment” in poetics. Rhyme is more manifested as the advocacy of the main mind, in this area by the influence of Zen. The compositional paradigm of “far away” is an important condition for rhyme generation. Ink painting is also the basis for the formation of rhyme. The resulting plain style, but also has a bond with rhyme