曲艺作品“复原”集体记忆的“三重套合”

来源 :曲艺 | 被引量 : 0次 | 上传用户:jtfcyy
下载到本地 , 更方便阅读
声明 : 本文档内容版权归属内容提供方 , 如果您对本文有版权争议 , 可与客服联系进行内容授权或下架
论文部分内容阅读
哈布瓦赫提出“集体记忆”这一社会心理学的概念,目的是为传统的人文社会科学研究提供新的视野和方法。而曲艺人论及这个理论,则是试图通过对其理解、吸收、转化、借鉴,在一定层面上探讨对曲艺创作的理论指导意义,为曲艺创作的方法论研究积累素材,进行实践性的尝试,使得曲艺创作能够在理论的支撑下更加有章可循。“集体记忆”理论具有较强的边缘性和交叉性,而且正在发展完善之中。我们以集体记忆理 Haberwah proposed the concept of “collective memory”, a social psychology, with the purpose of providing a new perspective and method for the traditional study of humanities and social sciences. However, Qu artist discusses this theory by attempting to explore its theoretical guidance to the creation of folk art by understanding, absorbing, transforming and using it, accumulating material for the methodology research of folk art, and making practical attempts. Making the creation of folk art can be more rules-based support. “Collective Memory ” theory has strong marginalization and cross-cutting, and is being developed and perfected. We use collective memory
其他文献