关山月几乎所有的代表作都源自长期旅行写生的经验,正如他自己曾经说过的:“不动我便没有画。不受大地的刺激,我便没有画。”纵观关山月一生艺术创作的几个重要阶段,他与傅抱石在20世纪60年代的东北写生之旅是一段不可绕开的经历。东北雄浑壮美的风光使久居南方的两位画家分外震撼,二人都曾以“长白山天池”为重点对象创作了多件作品。此次东北之行对关山月影响甚大,与傅抱石的相互切磋又带给了他深刻的启发。这幅《天池飞瀑》即取材 Guanshan months almost all of the masterpiece originated from the experience of long-term travel sketching, as he himself once said: “I did not move without the painting. Without the stimulation of the earth, I did not draw.” During his important artistic creation phases of his life, he and Fu Baoshi traveled northeast China in the 1960s as an inextricable experience. The magnificent scenery of the northeast made the two painters living in the south exceptionally shocked. Both of them created a number of works focusing on “Changbaishan Tianchi”. The trip to the northeast had a great influence on Guan Shanyue, and his mutual understanding with Fu Baoshi brought him profound inspiration. This “Tianchi Waterfall” is drawn