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从浙江山水画研究会的首届年展中,我们可以看出,大家是在思考与探索如何使我们的作品具有鲜明的地方特色和各异的面貌的。当然,这仅仅是开始。是否可以这样说,许多作品都重视在传统基础上大胆地向姐妹绘画汲取营养,认真地向生活求取真趣。《淡荡春风》(见黑白画页)是童中焘的一幅习作,他以清雅爽朗的笔墨描绘了在春风骀荡的湖面上,水上健儿竞舟清流的场面。为了突出竞舟这个主题,他并不拘泥于房屋树木的刻画,而是以带动势的大笔触激动地点垛,烘托了赛艇的速
From the first annual exhibition of the Zhejiang Landscape Society, we can see that everyone is thinking and exploring how to make our work have distinctive local characteristics and different appearances. Of course, this is just the beginning. Whether it can be said that many works attach importance to boldly drawing lessons from sisters’ nutrition on the basis of tradition and earnestly seeking true happiness in life. The slightest spring breeze (see the black and white painting page) is an essay written by Tetsuaki Nao. He depicted the scene where the water-skiing athletes made their boat clear and clean by the clear and cheerful brushwork. In order to highlight the theme of competitive racing, he does not rigidly adhere to the portrayal of housing trees, but rather to stimulate the momentum of a large touch excitement place stack, set off the speed of the rowing