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近年来,精湛的良渚古玉引起了人们的极大兴趣,许多著名学者屡有述及,其中存在着一个值得商榷的问题,即将一批明显的良渚型古玉,或者上面的个别符号归入了大汶口文化范畴去讨论、去认识。由于这批玉器不少是国内外著名美术馆、博物馆的镇馆之宝,或是最新的考古出土器物,影响很大,因此,正确辨明其文化归属问题很有必要。笔者研习之际,有些不同意见,特作如下记述。为了行文的方便,以下据说法集中的、内容相近的或一起出土的玉器,分五组讨论。
In recent years, the exquisite Liangzhu jade has aroused great interest of many famous scholars often mentioned, of which there is a question to be discussed, that is, a number of obvious Liangzhu jade, or the above individual symbols Into the scope of Dawenkou culture to discuss, to recognize. Because many of these jade are well-known art galleries at home and abroad, museums treasure of the town hall, or the latest archaeological unearthed artifacts, a great influence, therefore, to correctly identify their culture attribution is necessary. I study the occasion, with some different opinions, especially for the following description. In order to facilitate the writing, the following are concentrated in the argument, the content of similar or unearthed jade, divided into five groups to discuss.