架上绘画随着图像时代的到来,已进入了一种全新的艺术语境。面对架上绘画被图像化的趋势,其影响利弊共存。本文针对当代架上艺术的“图像化”制作与复制、观念绘画上的盲目表现主义倾向的现象,着重从“再现”和“表现”两种角度,提出绘画造型语言中形的重要性以及其超于时代的不可替代的唯一性,借此呼吁精英艺术。 With the advent of the image age, shelf painting has entered a completely new artistic context. In the face of the tendency of the painting on the shelf to be visualized, its influence has the pros and cons coexistence. This paper focuses on the phenomena of blind expressionism in the production and reproduction of contemporary “art” images and the emphasis on “expression” from “reproduction” and “expression” The importance of shape and its irreplaceable uniqueness beyond the era, to call for elite art.