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20世纪下半叶中国文艺的发展在很大程度上沿袭了延安鲁艺的艺术生产机制,它们在文艺理论学习及文艺服务导向方面一脉相承;在教学方法及艺术创作观念方面前后沿革;在师资和对民族民间艺术的学习方面也有一定的继承和相通之处。同时,为了适应新中国成立后政治文化和社会环境的变化,这一艺术生产机制在理论的民族化、艺术作品的表现内容以及艺术种类的多样性、艺术表现方法等方面,也发生了一定的变革。
In the second half of the 20th century, the development of Chinese literature and art largely followed the art production mechanism of Yan’an Luyi. They were the same strain in the study of literary theory and the orientation of literary and art services. They also made progress in the aspects of teaching methods and concepts of artistic creation. There is also a certain degree of inheritance and commonalities in the study of folk art. In the meantime, in order to adapt to the changes of political culture and social environment after the founding of New China, this art production mechanism also took place in the aspects of theoretical nationalization, the performance contents of artistic works, the diversity of artistic types and the artistic expression methods change.