坚持马克思主义的电影理论家和实践家在电影艺术的最初阶段寻找过电影作为艺术的哲学依据或一般认识论的依据。意大利人卡尔瓦诺·德拉沃尔贝正确地指出,“这些人的探索标志着马克思和恩格斯开创的唯物主义美学获得真正成功的发展新阶段”。 重新研究苏联革新家们在探索电影的哲学基础方面留下的理 Insisting Marxist film theorists and practitioners look for cinema as the philosophical basis or general epistemology of art in the earliest stage of cinema art. Calvino de la Volpe, the Italian, rightly states: “The exploration of these people marks a new stage of real success in the materialist aesthetics created by Marx and Engels.” Re-examine the theories left by the Soviet innovators in exploring the philosophical basis of the film