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戏曲中旦角按照人物的年龄、性格特征,可分为小旦、青衣、花旦、武旦等,我们豫剧常称的还有闺门旦。我是学闺门旦的,京剧中归为青衣。从进入艺术学校起,我站在戏剧舞台上也有十多个春秋了。在这十多年中,我塑造过十几个不同性格的旦角人物,有现代戏《儿大不由爹》里的李淑真,传统古装戏《泪洒相思地》里的王怜娟,新编历史剧《台北知府》里的山妹等等。下面我就自己在不同的人物形象塑造方面谈点认识。
In the drama, Danjiao can be divided into Xia Dan, Tsing Yi, Hua Dan and Wu Dan according to the characters’ ages and personality traits. I was a student girl denomination, Tsing Yi in Beijing Opera. Since entering the art school, I stood in the drama arena for more than a dozen spring and autumn. During these ten years, I have created more than a dozen different-minded people, such as Li Shu-zhen in the modern drama “Big Buddy”, Wang Pian-juan in the traditional costume drama “ Taipei prefect ”in the mountain girl and so on. Here I talk about my own point of view in the shaping of different characters.