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不同以往,刚刚落幕的迈阿密海滩的巴塞尔艺术展上,录像作品出人意料地成为一个亮点,而往届都是以静物展为主。许多艺术品交易商都带来了自己的影片,在中间展位集中展示。维也纳的Krinzinger画廊有两部作品参展,其中《切口》是关于行为艺术家玛丽娜·阿伯拉莫维奇和乌雷1978年的表演。影片中裸体的乌雷以橡皮带拴在墙上,不停地冲向镜头,而阿伯拉莫维奇则呆板地站在一边。在片长25分钟的影片结尾,根据表演情节安排,观众席中的一个男人跑入镜头凶狠地用脚猛踢阿伯拉莫维奇,并将她一拳打倒在地。另一部作品是维也纳艺术家马库斯·哈纳凯姆和罗斯维莎·舒勒的《盛开》,影片中哈纳凯姆和舒勒拿着形状怪异、色彩夺目的物体在乡间漫步,同时画外音中一个美国人在介绍19世纪英国艺术评论家约翰·拉斯金关于风景画的看法。
Different from the past, Art Basel in Miami Beach just ended, the video works unexpectedly become a bright spot, and the previous are mainly static exhibition. Many art dealers have brought their own video, concentrated in the middle of the booth display. The Krinzinger Gallery in Vienna is represented by two works, among which “The Cutout” is a performance of the performance artists Marina ‧ ?? Abramovich and Ouray in 1978. The film’s nude Ouray tied to the wall with a rubber band, kept rushing towards the camera, while Abramovich stood rigidly. At the end of the 25-minute film, according to the plot, a man in the audience ran into the camera and fiercely kicked Abramovic with his feet and knocked her down on the floor. Another is the “Full Bloom” of Viennese artists Marcus Hanakam and Rosavech Schuler in which Hanakam and Schuler take the shapely and colorful objects to stroll through the country, An American in the voiceover introduced the view of 19th century British art critic John Ruskin on landscape painting.