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明末清初阳羡曲文化的兴盛与联姻家族的积极参与紧密关联。陈贞贻、路迪、吴炳、万树等阳羡曲家,大都出自文化家族,且互为姻戚,阳羡曲家群体形成与文化家族联姻相依相生。他们以共同的传奇创作精神,进行创演活动,一批题旨、风格相近的传奇作品随即产生,家班表演也渐成规模并产生一定影响。阳羡姻戚曲家的联翩群从,从艺术生产的角度,透射出阳羡文化家族联姻对戏曲创作与传播的积极影响,及明末清初家族戏曲活动的广泛性及其发展状态的多样性。
The prosperous Yangxianqu culture at the end of the Ming Dynasty and the beginning of Qing Dynasty is closely related to the active participation of the marriage family. Chen Zhen Yi, Lu Di, Wu Bing, Wan Shu and other Yang entertainers, mostly from the cultural families, and each other, Yang envy Qu family groups and the formation of cultural and family marriage. Their common legendary creative spirit, performing activities, a group of topics, the style of similar legendary works immediately produced, class performance has also become scale and have a certain impact. The positive influence of Yangxian’s marriage of Qi and Qu family from the perspective of art production reveals the positive influence of the marriages of Yang-hsien culture and family on the creation and dissemination of the opera, and the diversity of the family drama activities and the diversity of their development state in the late Ming and early Qing Dynasty .