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过去我常常想,我国戏曲表演传統的丰富,剧种之多,演唱实践經驗的丰富,是世界上罕見的,但是为什么戏曲史的著作里,找不出一位著名的戏曲表演艺术評論家呢?难道真的沒有嗎?……这一次,为了科学研究,到江南去調查古籍。在上海图书館,得到顾廷龙、瞿風起先生的帮助,讀到了一部《鸞嘯小品》。我一边讀一边記,讀到《曲派》《正字》《神合》……等篇,簡直兴奋极了。这部书是評論我国戏曲表演艺术的一部重要理論著作。
In the past, I often thought that the performance of traditional Chinese operas is rich and varied, and the rich experience of singing practice is rare in the world. However, in the writings of the history of opera, there is no famous critic of theatrical performing arts Do not really do? ... This time, for scientific research, go to the south to investigate the ancient books. In Shanghai Library, Gu Guolong, Mr. Qu Fengqi help, read a “Xiao Xiao Pieces.” As I read and read, I read “Qufu”, “Orthography” and “Divine Hope” ...... etc., and I was very excited. This book is an important theoretical work on the performance of Chinese opera performing arts.