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所谓不为人知的秘密究竟能不能说的区别在于:捅破或坚守那层窗户纸之后的效果。尽管被说破了的秘密就如同被揭穿障眼法的魔术一样废材,但是往往就有个别技艺高超的魔术师为了取悦挑剔的观众而自卖家底,自解一些障眼的伎俩,然后在此基础上再塑神奇,那么在终极魔术之前的魔术就成了能说的秘密——达到了魔术最佳的效果。所以看似“能说的秘密”与“众人皆知的秘密”的区别就在于如何“说”的艺术了。和世界上的每个人、每个行业一样,艺术市场内有着各式各样的秘密,随着整体市场的不断职业化、专业化、理想化的进程,原来许多的行业秘密或者说壁垒被打破,特别是2010年伊始,随着大批资金与社会精英的涌入,艺术原本的神秘面纱摇身变成了广告噱头,“少数人的游戏”亦被“全民收藏”所取代,从鲜为人知到人人皆知,中国艺术市场看似愈发透明清澈其实只是为看热闹的人们准备的皇帝新装,而看门道的人们则一再感叹,中国艺术市场在波涛汹涌下暗流愈猛了。其实“能说的秘密”的实质,就是一些我们本不该忽略却大大忽略的东西。
The difference between the so-called unknown secret can say is: pierce or stick to the effect of the window paper after that layer. Although the secret to be broken is like the waste of magic that exposes the guilty conscience, there are often some highly skilled magician sellers who are self-defeating in order to please discerning audiences and who, on the basis of this, Magic again, then the magic before the ultimate magic has become able to say the secret - to achieve the best magic results. So the difference between “seemingly secretive” and “well-known secret” lies in the art of how to say “something”. Like everybody in the world and every industry, there are all kinds of secrets in the art market. With the constant professionalization, specialization and idealization of the whole market, many industry secrets or barriers have been broken up , Especially since the beginning of 2010, with the influx of large amounts of funds and social elites, the original mystery of art has become an advertising gimmick. The “minority games” have also been replaced by “national collections” From the little-known to the well-known, the art market in China seems more transparent. In fact, the emperor’s new clothes are only prepared for the busy people. But the gatekeepers repeatedly lamented that the Chinese art market is under the storm . In fact, the essence of “secret to be able to say” is something that we should not overlook but greatly ignore.