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唐三彩是我国陶瓷艺术的一朵奇葩,作为低温釉陶可以说唐三彩是其顶峰时期,然而,我们从中国陶瓷发展脉络来看唐三彩发展的特定历史阶段,会发现唐朝是陶瓷快速发展并且相对成熟的阶段,到宋朝瓷器的发展达到顶峰。在李氏有国的时代,唐三彩作为一种低温釉陶在瓷器高速发展的阶段却仍然繁荣发展至顶峰,并且受到到当时统治阶级的喜爱。从我们今天的价值观来看这是有违常识的,本文试着从以下几个角度浅谈这个问题。
Tang Sancai is a wonderful flower in China’s ceramic art. As a low-temperature glazed pottery, it can be said that Tang Sancai is at its peak. However, from the perspective of the development of Chinese ceramics, we can see that the Tang Dynasty is a fast-growing ceramic industry with relatively mature ceramics Stage, to the development of porcelain in Song Dynasty reached its peak. In the era of Lee’s country, Tang Sancai, as a low-temperature glazed pottery, still flourished and peaked at the rapid development of porcelain, and was loved by the then ruling class. From the perspective of our values today, this is contrary to common sense. This article attempts to discuss this issue from the following perspectives.