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从1962年签署著名的《奥伯豪森宣言》开始,克鲁格以文字著述和大量影视作品,实践着他所代表的上世纪60～80年代“新德国电影”的思想和美学追求,试图打破商业主流电影的意识形态话语权力,解脱政治审查的枷锁,重建新的电影语法和修辞,力图将人类思想和理性的权利及责任,再度以新的形式归还给电影这种影像艺术,以此奠定了克鲁格作为“新德国电影”理论和实践旗手的地位。
Starting from the famous Oberhausen Manifesto signed in 1962, Kruger practiced his ideological and aesthetic pursuit of “New German cinema” from the 60s to the 80s of the last century in literary writings and a large number of film and television works. Trying to break the ideological discourse power of mainstream commercial movies, freeing the shackles of political censorship, rebuilding new film grammar and rhetoric, and trying again to reinstate the rights and responsibilities of human thought and reason in the form of new forms of film art This laid Kruger as the “New German movie” theory and practice standard-bearer.