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文章提出并论证了我国五声音阶中的“四度三音列”是传统音乐的“染色体”。徵羽两个不同排列的母体四度三音列组成了性质各异的徵羽两大音列群体;它们制约着传统音乐旋律的风格和调式调性特征。
The article proposes and demonstrates that the “fourth-order tunes” in the fifth-order scale of our country is the “chromosome” of traditional music. Zheng Yu two different arrangements of the mother of the third and fourth notes of the nature of the composition of the two major Yuzheng groups; they restrict the style of traditional music melodies and tonality characteristics.