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少数族群文化与民间文化作为活态文化,具有其作为小传统自身的特殊性及审美情感独特性。在审美人类学的研究中必须重视地方性审美经验的个体及性别差异。以电影《赛德克·巴莱》为分析文本,从审美人类学的角度分析赛德克人基于共同信仰之上审美经验的性别差异,在地方性审美经验的研究中引入个体与性别研究,无疑是对吉尔兹“深描”法的新的实践,具有理论与实践的双重意义。
Minority culture and folk culture, as living culture, have their own uniqueness as a small tradition and unique aesthetic emotion. In the study of aesthetic anthropology, we must pay attention to the individual and gender differences in the local aesthetic experience. Taking the case of the movie “Sidike Balai” as the analytical text, this paper analyzes the Seidic’s gender differences in aesthetic experience based on the common belief from the perspective of aesthetic anthropology, introduces individual and gender studies in the study of local aesthetic experience, It is undoubtedly a new practice of Gilts ’deep drawing ’ law, which has the dual meaning of theory and practice.