一、自然之景山水画所描绘的自然在人类诞生之前早已存在,人类为了生存与发展就要通过自己的活动作用于自然,一个客观的自然界进入了人的物质与精神活动,也是山水画诞生的基础。随着人类社会的发展,人类的本质力量越来越表现出自然界的对象化,自然界在越来越广泛的意义上成为人化自然,成为人工生态系统。绘画与自然建立起的对象关系 First, the nature of landscape painting depicts the nature of mankind already existed before the birth of mankind in order to survive and develop through their own activities must act on nature, an objective nature has entered the material and spiritual activities, but also the birth of landscape painting foundation . With the development of human society, the essential forces of mankind have increasingly shown the objectification of nature, and nature has become humanized and naturalized in an increasingly broader sense and become an artificial ecosystem. Object Relationship between Painting and Nature