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唐代美术的辉煌则在于:处于承上与启下的胶着状态,交流走向融合的间隙,兼众家之长,也因此有嫁接、过渡的气质,相对缺乏原创性,它是优秀的,但未必毫无瑕疵。然后将唐代美术与同时的世界另一美术类型——拜占廷美术相比较,指出拜占廷文化与唐代文化类似,也是一种嫁接文明;二者都盛行宗教美术,有巨大的美术运动,但其面貌又极不相同。从这种宏观视角的比较中,透视文化建构的美术史的一个层面。
The glory of the art of the Tang Dynasty lies in the fact that it is excellent in grafting and transitional temperament and lacking in originality because it is in a stalemate between inheritance and development, Not necessarily flawless. By comparing the art of the Tang Dynasty with the art of Byzantium, another art genre of the same time in the world, it points out that the Byzantine culture is similar to the culture of the Tang Dynasty and is also a kind of grafting civilization. Both of them enjoy religious art and have great art Sports, but its appearance is very different. From this macro perspective, we can see the one aspect of the art history of cultural construction.