近十年来,音乐创作中各种现代技法的运用和由此引发的对民族风格的再探讨,是我国理论界和作曲家们普遍关注的两个热点,一时间意见纷陈,众说不一。笔者认为,要把握对这两个问题的认识,最直接的途径之一,是下功夫对具有一定代表性的各种类型的作品进行集中的、深入认真的研究,通过细致的分析,再将具体作品纳入特定的历史文化范畴,进行纵向的(相对于我国七十年代末以前的创作而言)和横向的(与国外各种现代技法相对应)内外 In the recent ten years, the application of various modern techniques in music creation and the re-discussion of ethnic styles that have arisen in the course of music creation are two hot topics of general concern to both theorists and composers in our country. The author believes that one of the most direct ways to grasp the understanding of these two issues is to devote more efforts to carrying out intensive and in-depth studies on various types of representative works, and through careful analysis, Specific works into a specific area of ​​history and culture, the vertical (relative to China’s late 1970s before the creation of terms) and horizontal (with all kinds of modern foreign technology) both inside and outside