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少数民族的工艺品创作是人类早期就已经出现的一种实践。这种实践最初由人的需求支配,逐渐发展为少数民族的原始文化意蕴构成,并形成了民族的集体心理和共同认知。从视觉艺术的角度出发,分析少数民族工艺品体现的文化性,从色彩和图案两方面论述少数民族工艺品图示符号背后的文化建构,并对少数民族工艺品在当代的文化变革和坚守做出自己的阐述,以期从文化的角度为少数民族工艺品的未来发展提供一点理论借鉴。
Handicrafts creation of ethnic minorities has been a practice which has already appeared in human’s early stage. This practice was initially dominated by human needs and gradually developed into the original cultural connotation of ethnic minorities and formed the collective mentality and common understanding of the nation. From the perspective of visual arts, this article analyzes the cultural features embodied by handicrafts of ethnic minorities, discusses the cultural constructions behind the symbols of handicrafts of ethnic minorities from the aspects of color and pattern, and makes its own contribution to the cultural change and persistence of ethnic handicrafts in the contemporary era Expounded, with a view to providing a little theoretical reference for the future development of ethnic arts and crafts from the cultural point of view.