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6月9日,首届四川少儿曲艺大赛落下帷幕。著名四川清音表演艺术家程永玲抱起凭借一曲四川清音《成都是个好地方》获得一等奖的12岁小演员魏宝懿,泪流满面。程永玲也是12岁来到成都,这份情感,只有四川曲艺人才会懂。如今,全国的曲艺事业相对步入低潮,四川曲艺也沉寂下来。在快节奏和多元文化冲击下,曲艺自身面临众多挑战,后继乏人。四川曲艺事业和全国的曲艺事业一样,面临着两大困局:一是生存环境、影响范围遭遇多方冲击,形成“不进则退”的不利局面:二是自身传承发展遭受多重考验。随着国家一系列政策的出台,四川曲艺很多项目也感受到国家“非遗保护”的关怀,在精神上极大地提振了四川曲艺战线的使命感和信心。但是“保护”仅仅是权宜之计,不可能从根本上提升传统文化的竞争力。四川曲艺要参与文化竞争,
June 9, the first Sichuan Children’s Folk Art Competition came to an end. Well-known Sichuan voiceless performing artist Cheng Yongling picked up with a Sichuan voiceless “Chengdu is a good place” won the first prize 12-year-old young actress Wei Bao Yi, burst into tears. Cheng Yongling is also 12 years old came to Chengdu, this emotion, only Sichuan Qu folk will understand. Today, the country’s folk art career is relatively low, Sichuan Qu art also quiet down. Under the impact of fast-paced and multiculturalism, Quyi itself faces many challenges and its successor is lacking. Sichuan Quyi’s undertaking, like the national folk art, faces two major dilemmas: First, the living environment and its scope of influence have encountered multiple impacts, resulting in the unfavorable situation of “refusing to progress or retreat”; secondly, it has undergone multiple tests in its inheritance and development. With the introduction of a series of national policies, many projects of Sichuan Quyi also feel the care of the country and the “non-heritage protection”, which has greatly boosted the mission and confidence of Sichuan Quyi Front in spirit. However, “protection” is only an expedient measure, and it is impossible to fundamentally enhance the competitiveness of traditional culture. Sichuan Qu Arts to participate in cultural competition,