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1952年的4月16日,在新生的共和国还不满三岁的日子里,《歌曲》杂志便呱呱坠地了。从那时起,一份仅有32开的小刊物,便在新中国音乐艺术的园林里栉风沐雨、历经坎坷,断断续续地走过了五十年旅程。对于今天已经习惯于通过多种媒体来欣赏歌曲的人们来说,也许对当时一个以发表创作歌曲为己任的刊物的问世,给予广大歌曲爱好者以及人民群众音乐生活所产生的意义,真的难以产生真切理解。而事实却是,文化大革命前的十七年里,歌曲艺术的生产与传括条件是异常简陋的,不仅没有电视、盒带、唱盘、视盘等的立体化手段,而且连仅有的广括在相当多的地方,还是以
On April 16, 1952, when the nascent republic was under three years of age, Song magazine was born. Since then, a mere 32-plus-day magazine has been going through 50 years of journey through the bumpy and intermittent journey in the gardens of the new Chinese music arts. For those who are accustomed to enjoying songs through various media today, it may be really hard for the advent of one of the publications responsible for the publication of songs at that time to give the broad masses of song lovers and people’s musical life something really hard to do Produce a true understanding. The fact is that in the 17 years prior to the Great Cultural Revolution, the production and dissemination of song art were extremely simple and crude. Not only did they lack the stereoscopic approach of television, cassette, turntable, video disc, etc., A considerable number of places, or to