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1987年,当秦文琛刚刚考入上海音乐学院时,没有人会想到日后这个来自内蒙古艺校的小伙子会成为继杨立青、米赫也、谭盾、古拜杜丽娜、叶小纲等人之后上音当代音乐周最年轻的驻节作曲家。2013年10月11—16日,第六届当代音乐周集中展现了秦文琛的艺术观、代表作以及新作《风的挽歌》和《大地晨曲》。他曾说:“‘行走’是自己音乐创作的永恒主题。”①若以《太阳的影子I》(1987)作为其创作的起点,②此番他终于回到出发的地方,让我们听到他每一步的回声。
When Qin Wenchen just admitted to the Shanghai Conservatory of Music in 1987, no one would have thought that in the future this young man from Inner Mongolia Art School would become the most influential musician of the Shang Dynasty after Yang Liqing, Mi He Ye, Tan Dun, Gu Ba Du Lina, Ye Xiaogang and others Young resident composer. From October 11 to October 16, 2013, the sixth edition of Contemporary Music Week brings together Qin Wenchen’s artistic concepts, masterpieces and new works, The Elegy of the Wind and The Earth Albatross. He once said: “Walking ” is the eternal theme of his musical creation. “① If we use” The Shadow of the Sun I "(1987) as a starting point for his creation, ② this time he finally returned to the starting place, let us He heard every echo of his step.