主导性文化氛围加固了人们对苦痛的体验,继而使其获得了公共性的认同,但同时也使我们对文学文本及其所处时代的解读产生了一种结构性盲视。1978年文学作品所处的尴尬处境由此或可得到解释:一方面,对“文革”与“四人帮”的揭露和批判使人们对《许茂和他的女儿们》(下文简称《许茂》)等文本产生了强烈的心理认同,使其社会学意义得到了放大,继而在后 The dominant cultural atmosphere reinforces people’s experience of pain and then gains public recognition, but it also gives us a structural blind view of literary texts and the times in which they are located. The awkward position of the literary works in 1978 may or may be explained: on the one hand, the revelation and criticism of the “Cultural Revolution” and the “gang of four” have caused people to criticize “Xu Mao and his daughters” (hereinafter referred to as “Xu Mao ”) and other text has generated a strong psychological identity, to make its sociological significance has been amplified, and then after