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我曾在《美术》1989年第9期上写过一篇《论传统中国画的格法运用》,针对古代画论中经常被提及的“格法”一词(如唐岱在《绘事发微》中说“存心不恭,则下笔散漫,格法不具”,“格法熟则气韵全”;方薰在《山静居画论》中说:“功夫到处,格法同归”),我认为:“格法即格律之法,其实质即整齐有序。中国画在用笔上讲求‘一画’(这由石涛提出,黄宾虹释为:‘由一笔起,积千万笔,仍是一笔。画千笔万笔,一气而成,虽经变化,笔法如一。’),构图上讲究装饰性(图案化和程式化),即是整齐有序的显
I once wrote an article on “Applying the Method of Traditional Chinese Painting to the Gestalt Law” in the 9th issue of “Fine Arts” in 1989. In view of the frequently mentioned “Gefa” in the ancient theory of painting (eg, Micro “, said” cynical, then pen scattered, lattice method does not have “,” Gacha is full of flavor and beauty “; Fang Xun in the” mountain static home painting theory, “said:” Kung Fu everywhere, with the law “ , I think: ”The law is the law of lattice, its essence is neat and orderly.Chinese painting in the pen on stress’ a painting ’(which is proposed by Shi Tao, Huang Bin Hong explained:’ from one stroke, Is still a stroke. Draw a thousand pen, made in one breath, though the change, style of writing one. ’), Composition on the decorative (patterning and stylized), that is neat and orderly was