天逸:颜碧君女士,您在中国电影化装事业上辛勤耕耘几十年,并多次获奖。请谈谈体会。颜:我搞了几十年化装。到现在,觉得自己才刚刚成熟。过去只是胡里胡涂地干,也不知道什么叫创作。老头子有胡子就行,老太太有皱纹就行。没有生活的层次,没有城乡之别。人物都是假的。我觉得还是要研究琢磨人物、职业、经济状况、此时此地的状态。要做创作者,不要做工匠。要搞好创作,技艺一定要好。技艺不好,当然也谈不到创作。技艺上要不断地前进,不断地突破各种难题。创作上要不断地思考、不断深入地去挖掘。这样才能比较准确地还原历史。天逸:能否以你的经历谈谈认识的形成? 颜:碰过钉子的。我从香港回来,第一部戏就是 Tin Yat: Ms. Yan Bijun, you have worked hard for decades in China’s movie make-up business and won numerous awards. Please talk about experience. Yan: I’ve got a few decades of make-up. Until now, I feel like I’m just beginning to mature. In the past, it was only superficial and did not know what creation was. Old man mustache on the line, the old lady wrinkles on the line. There is no level of life, there is no difference between urban and rural areas. People are fake. I think it is still necessary to study and figure out the status of people, occupation, economic conditions, here and now. To be a creator, do not be a craftsman. To do a good job, skills must be better. Skill is not good, of course, can not talk of creation. Art to continue to move forward, continue to break through various challenges. The creation should continue to think, continue to dig deeper. In order to more accurately restore history. Tianyi: Can you talk about the formation of understanding of your experience? Yan: touched the nail. I come back from Hong Kong, the first drama is