本文运用结构主义文论,通过对尤金·奥尼尔代表作《马可百万》存在的二元对立模式进行分析,阐释剧中的二元对立不仅营造张力、刻画人物、调动冲突还渲染悲剧色彩,恰好契合了奥尼尔的二元论西方世界观和东方思想的冲突和融合,并为“诗意的栖居”精神家园的主题提供了辩证的艺术结构。 This article uses structuralist literary theory to analyze the binary oppositional mode of Eugene O’Neill’s masterpiece Marco “Million”, explains that the binary opposition in the play not only creates tension, portrays characters, mobilizes conflicts but also renders the tragedy color, Just fit the conflict and integration of O’Neill’s dualistic Western and Oriental ideologies and provide a dialectical artistic structure for the theme of “poetic dwelling place.”