黑帮电影是香港电影工业自20世纪80年代初黄金年代以来的主要类型。~1在许多重要的影片中,“台湾”——无论是作为地域空间还是人物形象——都构成了一个虽不显眼、但并非不重要的参照。在80年代、回归前后以及合拍片已成主流的今天,在香港的黑帮电影中,台湾形象或隐或现,呈现出不同的面貌,与香港形象、大陆形象相互参照,更显出其特定的意识形态功能。本文将梳理台湾形象“缺席”的前史,以1997前后和近3年来林岭东的两部复出之作作 Gangster films are the main type of film industry in Hong Kong since the golden age of the early 1980s. In many important films, “Taiwan ” - whether as a geographical or personal image - constitutes an inconspicuous but not insignificant reference. In the 1980s, before and after the reunification and co-production films have become the mainstream today, in the gangsters movies in Hong Kong, the image of Taiwan shows itself in different aspects. It shows the specific image of Hong Kong and the mainland in cross-reference. Ideological function. This article will sort out the pre-history of Taiwan’s image “Absence ”, with two comebacks of Lin Ling-dong around 1997 and the past three years