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《韶》乐的流传考辨《韶》乐在先秦史料中多次出现,并且在不同的史料里面又有不同的名称,如《箫韶》(《尚书·尧典》)、《韶箾》(《左传·襄公二十九年》)、《九招》(《山海经·大荒西经》)、《九》(《周礼·大司乐》)、《大韶》(《庄子·天下篇》)等等,相传为帝喾时之咸黑所创,舜时质又为之修作(《吕氏春秋·古乐篇》)。至此之后《韶》便当作舜的代表乐而流传,它与黄帝之《云门》、《大卷》,《尧》之《大咸》,禹之《大夏》,商汤殸召
“Shao” music circulated examination “Shao” music appeared many times in the pre-Qin historical materials, and in different historical materials which have different names, such as “Shao Shao” (“Shang Yao Dian Dian” (“Zuo Xianggong twenty-nine years”), “Nine strokes” (“Shan Hai Jing Da Huang Xi Jing”), “Nine” (“Zhou Da Da Le” World articles “) and so on, according to legend, when the emperor was created by the salt black, Shun and quality for its repair (” Lu’s Spring and Autumn Period ancient music articles “). Since then, ”Shao“ has become a symbol of Shun’s music and has spread with the emperor of the ”Cloud Gate“, ”big volume“, ”Yao“ of the ”salty“, Yu’s ”big summer"