中国书法源远流长。几千年来,书法的发展始终遵循着一条千古不变的规律,即在继承的基础上求得发展。探索这一规律,如果从东方文化的发展特性来看,则可以说它贯穿了传统文化中的各个领域及发展的每一时期。就书法而论,书法作为独具中国特色的民族艺术之一,其发展的基础就是以继承为核心的。中国传统书法中所蕴含的各种理念、审美倾向、技巧手段等等,能在不同时代不同作者的探索中得到解读与借鉴,并求得发展,正是因循了这样一条原则。临摹古代优秀的书法典经之作,正是实现这一原则的必经步骤。应该说,背离了这条路则一事 Chinese calligraphy goes back to ancient times. For thousands of years, the development of calligraphy has always followed an unchanged law, that is, it is based on inheritance and development. To explore this law, if we look at the development characteristics of oriental culture, we can say that it runs through every area of ​​traditional culture and every period of its development. As far as calligraphy is concerned, calligraphy, as one of the unique national arts with Chinese characteristics, is based on inheritance. The various concepts, aesthetic tendencies, and tricks and so on contained in traditional Chinese calligraphy can be interpreted and borrowed from the exploration of different authors of different ages and seek development. It is precisely because of such a principle. It is the necessary step to realize this principle by copying ancient calligraphy and scriptures. It should be said that the departure from this road is a matter