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黑格尔在美学研究中,接过康德对知性与理性的区分,并将这种区分运用在自己的研究中,提出了一个十分著名的论断:知性不能掌握美。黑格尔认为:“美是理念的感性显现。”可以说,“理念”这个核心概念自始至终贯串于黑格尔的全部美学思想中,因此,研究黑格尔戏剧美学的知性误读,必须首先从对“理念”的知性误读谈起。
In the study of aesthetics, Hegel took Kant’s distinction between intellectual and rational, and used this distinction in his own research. He put forward a very famous conclusion: intellectual can not grasp the beauty. Hegel argues that “beauty is the perceptual manifestation of philosophy.” It can be said that the core concept of “idea” runs through all of Hegel’s aesthetic ideas. Therefore, to study the intellectual misunderstanding of Hegelian theater aesthetics must first From the intellectual “misunderstanding” of intellectual.