归有光是明代后期著名的散文家。自幼爱读《史记》,相传曾用五种颜色笔对《史记》作圈点。其散文受司马迁及欧阳修的影响很大,但不落其窠臼。他活动的年代,正当以王世贞为首的后七子拟古主义文风盛行之际,但他不为所屈,起而相抗。他反对后七子的“追章琢句、模拟剽窃”之风,并以自己的创作实践(主要是散文)力矫“文必秦汉”之偏,取得了较高的成就,使当时文风有所转变,对后世也有一定影响。归有光以散文见长,尤以抒情散文更具特色。他善于用平易流畅的语言,简洁疏淡的笔触,通过对身边琐事的描绘,勾画出人物的音容笑貌,寄托其真挚的感情。《项脊轩志》是归有光的代表作。文章通过项脊轩前后变迁的记述,写出了家人对他的关切、期望和彼此间的深挚感情。项脊轩是作者读书的书室。归有光的远祖归道隆曾居“昆山之项脊泾”(今江苏太仓县),作者用“项脊”二字作为书室名, Return to the light is the famous essayist in the late Ming Dynasty. He loved reading “Historical Records” since childhood, and according to legend, he used five kinds of color pens to circumscribe the “Historical Records”. His prose was greatly influenced by Sima Qian and Ouyang Xiu, but did not fall short. The age of his activities coincided with the prevalence of Hou Qizi’s pseudo-religious writing style headed by Wang Shizhen, but he did not give up and resisted. He objected to the “Following chapters and simulating plagiarism” style of the latter seven sons, and he used his own creative practice (mainly prose) to correct the bias of “Wen Bi Qin Han” and achieved higher achievements, which made the style of the time The change will also have a certain influence on later generations. The light is proficient in prose, especially in lyrical prose. He is good at using plain language, simple and unceasing strokes, and depicting the trivia of his side, depicting the voice and appearance of the character, and placing his sincere feelings. “Xuan Xuan Zhi” is a masterpiece of light. The article describes the family’s concerns, expectations, and deep feelings toward each other through the description of the changes before and after Xiang Xiuan. Xiang Ji Xuan is the author’s book room. The light ancestral home of Dao Zenglong lived in the “Kunshan Ridge Ridge” (now Taicang County, Jiangsu Province), and the author used the term “ridge” as the name of the room.