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乡村生活能否引起人们的兴趣,现代传媒艺术如何表现乡村生活,这是折射出深层次社会心理与文化认同的问题。解读当代影视作品的乡村形象,有助于我们把握当代影视文化的脉动。20世纪90年代以来我国影视叙事中的乡村形象可以分为三种类型:一是作为传统社会的象征,二是乡村生活的文化认同,三是想象未来的乡村生活。时至新世纪,一批卓有影响力的乡村喜剧片的高收视率,足见在城市化时代人们仍然关注乡村生活,留恋充满人情味的审美化的乡村形象。传统社会象征的乡村、现实的乡村、未来的乡村这三种乡村形象既是文化想象的创造物,也是社会历史的产物,表征了中国快速城市化进程中人们对城乡关系以及城乡两种生活方式在文化层面认知的不断深化,以及相应的文化想象与文化认同的历史变迁。
Whether rural life can arouse people’s interest and how modern media art represents rural life is a question that reflects deep-seated social psychology and cultural identity. Interpreting the country image of contemporary film and television works helps us grasp the pulse of contemporary film and television culture. The rural images in the film and television narration of our country since the 1990s can be divided into three types: one is the symbol of the traditional society, the other is the cultural identity of the rural life, and the other is the imagination of the future rural life. From the time of the new century, the high ratings of a number of influential rural comedy films show that in the era of urbanization, people are still concerned about rural life and nostalgia for a humane and esthetic image of the country. The traditional social symbol of the village, the reality of the countryside, the future of the three rural village image is not only the creation of cultural imagination, but also a product of social history, a symbol of China’s rapid urbanization in the process of urban and rural people and the relationship between urban and rural life in two ways Cultural cognition continues to deepen, as well as the corresponding historical changes of cultural imagination and cultural identity.